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If you are a Premiere Pro editor on a budget, this is a no-brainer. These tools, along with their spectral editor (complete with photoshop-like selection tools), give you the ability to clean out most common sonic problems.

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Plus the entire suite of tools and plugins that Audition has to offer.

Adaptive Noise Reduction (for constantly changing sounds, like an airplane fly-by).

While the noise-reduction tools are relatively bare-bones compared to some other options, it likely has the tools you need the most: Many video editors will be quite familiar with Audition, as it comes bundled with the Creative Cloud suite (meaning many of you already have this available to you without spending an additional dime).Īudition is not just a noise reduction software, but a complete digital audio workstation, capable of multi-track editing, mixing, sound design, mastering and spectral audio editing.

Adobe Audition CC – The Editor’s Go-To Sound Tool.

The advanced version will cost you a pretty penny, but if you can afford the standard version, you still get most of the available tools, minus just a few awesome ones.

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If you are an indie filmmaker, video editor, sound engineer or sound designer, this software surely has a handful of tools that will be immediately useful in your everyday work. Needless to say, iZotope’s flagship software can warrant an entire blog series on its own. Batch Processing (this is key if you have a lot of bad audio on a consistent basis).Common Tools including: Gain, Phase, Normalize, Azimuth Correction, Panning, Resampling, signal Generator, etc.Find Similar (uses machine learning to find sonic events in the recording that are similar to the one you’ve highlighted).Auto Leveler (time saver, helps you audio sound consistent without compression).Ambience Match & Extraction (no room tone? no problem!).Deconstruct (the ability to filter and separate between tonal and broadband sounds).Dialogue Isolate (algorithms shaped to lighten noise without introducing artifacts).De-Ess (removes vocal sibilance with ease).RX gives you a fully featured waveform and spectral editor with numerous ways to view and select your sound and a complete host of tools including: Ever since version 1, iZotope has been pouring R&D into making this software unbeatable. RX is possibly the most well-known sound restoration software out today.

iZotope RX (Standard/Advanced) – King of Audio Repair.

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Try it out for free and see for yourself. It’s definitely worth it for video editors, indie filmmakers or audio engineers who need a clean and quick solution. The one-knob style functionality makes them extremely simple for non-audio geniuses to use. The benefits of Accusonus’ tools is that you can run them in real-time and get results quick. If this fits your situation, I’d say it’s worth the small splurge for the top tier version. This means you can feed in 2 different channels ( boom and lav, for instance) and the 2 channels will inform each other of the content, making for a much cleaner denoising process with fewer artifacts. The secret here is that ERA-D does something that other tools don’t: 2-channel intelligent noise reduction.

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You may be wondering about the steep upgrade when ERA-D does essentially the same things as the ERA Noise Remover and the ERA Reverb Remover. The Accusonus ERA Bundle Pro ($499) contains the 4 single-knob plugins as well as ERA D, a joint noise & reverb reduction plugin for post professionals. The ERA Bundle Standard ($149) contains 4 single-knob plugins, each one solving a different audio problem: Here’s a quick overview of their comprehensive ERA Bundles.

Accusonus ERA (N/R/D) – Noise Reduction MagicĪccusonus is one of those companies that has gone largely unheard of in respects to audio repair, which is a shame as their offerings are affordable, easy to use, and capable of producing quick results.

Let’s break down some of your best options. There are a few really solid tools out there, some you’ve certainly heard of, and others you may not have. Noise reduction software is your saving grace. Whether the sound was recorded by a professional recordist or a complete novice, sometimes there are anomalies and noise problems that you simply can’t get away from, even if you follow all the rules to getting great sound on set. If you deal with sound recordings on a daily basis, you are probably keen on the numerous issues that can come along with making them sound good.